Every studio in town had turned us down. The consensus was that no one would be interested in a story about four 12-year old boys on a railroad track. It was dark, there was not a girl in it, no one knew how to sell it. Of course, what attracted us to it was that it was a coming-of-age story without girls or buying rubbers or first kisses or all of that. It was about kids becoming aware of their own mortality.
Lang/Stand
THE NORTH RIDING PROJECT 
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