Creed is not really a minimalist… the moment you see Creed’s work you realise how much and how little he owes them… The pleasures of Creed’s art have nothing to do with their formal nature and everything to do with the stories and social encounters they generate. He’s a poet of the everyday. Creed’s art is not really about numbers, or things. It’s about inner worlds and secret feelings, and it veers between melancholia and exuberance.
Jones/Guardian
I don’t believe in conceptual art. I don’t think it is possible to separate ideas and feelings… anyway it feels like everything has a lot more to do with feelings than anything else. Maybe ideas are like a way to handle feelings, to keep them down or sort them out.
Creed/Point
Creed is a specialist in nothing. He has nothing to say, and that’s what he goes on saying, over and over.
Searle/Guardian
THE NORTH RIDING PROJECT 
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